FAQ Sound Art

(Frequently asked questions about sound art)

Question: What is that, "sound art"?

Answer: Sound art is the art of organising sound (instrumental, vocal or synthetically produced or recorded with a microphone from our sounding environment) into a musical composition. Text, sound or music are material in the hands of the sound composer. The result has many names: Ars Acustica, Audio Art, Digital Radio Art, Soundscape, Sound Composition and others.

Question: So sound art is music?

Answer: Yes and no. This acoustic art form is so open that it defies conceptual delimitation. It is the musical side of radio drama. It is the laboratory in which new acoustic forms are developed. It is storytelling with the means of sound, noise, music and voice.

Question: Is sound art a radio form?

Answer: Sound art also exists outside radio as concerts, performances or sound installations, but radio is a central medium for sound art. Deutschlandradio commissions 12 sound compositions a year, and together with the independent author productions, around 25 new pieces are premiered each year.

Question: Since when has sound art been on Deutschlandradio?

Response: Since the station was founded in 1994, initially under the somewhat misleading name "HörspielWerkstatt".

Since 2006, it bears in its name what it presents: "sound art", weekly 55 minutes of midnight sound composition, boundless, outrageous.

Question: How did you come to sound art as a radio play director and editor? And why is sound art part of the radio play programme?

Response: Radio plays and sound art tell stories and both work with the same materials: voice, sound, music. With one crucial difference: in the radio play, music and sound serve the word - while in sound art all these elements are basically equal as material in the hands of the sound composer. Stories can be told with music, with sound or with words. Mostly, however, the work is an individual mixture of all these elements.

For me as a radio play director, the discovery of sound art was a kind of liberation from the dominance of the word, the text, which everything has to serve, and at the same time from the illustrative function of music and sounds. I asked myself why I usually only wanted to hear a radio play once, but music - whether Mozart, Penderecki or the Rolling Stones - over and over again. The I found the answer in sound art as radio art: ideally, it has the same openness and complexity as a poem or piece of music, in which my auditory imagination can move freely.

Question: Do you need prior knowledge to understand sound art?

Answer: Sound art is not meant to be understood, but experienced - and that is accessible to every listener. Its roots are not only in new music (such as musique concrète), but also in pop music. Elements of it can be found in the Beatles or Pink Floyd, and quite a few of my sound composers work as DJs in clubs. However, sound art also presupposes in the listener the increasingly rare art of listening.

Question: Why do so many works in your programme have English titles?

Response: The programme Klangkunst on Deutschlandradio is a programme for international sound art. Sound - unlike the radio play - is not bound to national languages. That is why my programme on almost 50% also presents masterpieces by foreign sound composers.

Question: Do you have personal preferences among your programmes?

Response: As much as I look forward to the first broadcasts of new works, my heart is still set on the quarterly Newcomer Workshop, which is not dedicated to the masters of sound art, but to the unfinished, the gifted, the seekers, the young noisemakers and troublemakers. Isn't restlessness called the particle that keeps the clock running?

Question: What advice do you have for those interested in learning about sound art?

Answer: Switch on Deutschlandradio Kultur and go on a listening journey. Every week in the night from Thursday to Friday at 0.05 am until 1 am.


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